Wednesday, January 13, 2016

Promises, Promises

Don't you just hate it when a book promises one thing but gives you something else?  It could be that the story seems to be going in one direction but then ends up somewhere entirely different by the end.  It could be that it starts out with the promise of being something amazing, but falls flat in the end.  Tennyson, by Lesley M. M. Blume is one of those books.



It's 1932, the Depression.  Things are evening out among people everywhere...  On the banks of the Mississippi, Tennyson Fontaine, and her sister, Hattie, play endless games of hide-and-seek . . . But when their mother doesn't come home one day, and their father sets off to find her, the sisters are whisked away to Aigredoux, once one of the grandest houses in Louisiana, now a vine-covered ruin.
Their caretaker, Aunt Henrietta, becomes convinced that she can use the girls to save the family's failing fortunes.  But then Tennyson discovers the truth about Aigredoux, the secrets that have remained locked deep within its decaying walls.  Caught in a strange web of time and history, Tennyson comes up with a plan to bring Aigredoux's past to light.  Will it bring her mother home and her family back together? - book jacket

So, I was super excited to read this book.  I don't even remember why I chose it, but I went through all of the trouble of putting it on hold at the library system that I don't usually go to, because that is the only place I could find it.  I checked it out with a list of books that were supposed to be creepy, ghost stories, and the like, back when Halloween was fast approaching.

I remained super excited as I started reading, and got even more excited with every page I turned.  Why?  Well, it is very rare that I come across a writer whose use of imagery and figurative language come anywhere near what Blume has achieved in this book.  It was incredible!  Not only for creating mental images, but for setting the mood and foreshadowing as well.  Here is an example:
"Whose dresses are these?" asked Hattie, putting one on.  It was so long that the bottom gathered in a cloth puddle around her feet.  The old matted lace on the shoulders and wrists swayed like cobwebs.
And how about this:
But soon the road wound out of the lush cane fields and led into a patch of woods that for some reason decided to die.  Instead of turning into dirt, the trees and branches and roots from these dark woods turned themselves white.  They shed all of their bark and the smooth skin underneath bleached itself out in the hot sun.  These tree skeletons jutted up from the earth and steam coiled around the blanched roots.
Or this:
But when they were done holding their breath and the white bone forest was behind them, there was another bone forest in front of them.  These bones looked like enormous trees but they had no branches.  Dying vines covered them, hanging down like long tendrils of black hair.
Blume's language is brilliant.  It sets the mood and tone and all that other good stuff they make you write papers about in your high school English class.  And it was consistent, too, used throughout in just the right amounts.  Wow.

The story was awesome as well.  Not your everyday run-of-the-mill sort of stuff.  Kind of strange, but believable.  Interesting.  Thought-provoking.  Mysterious.  The author paced it so that you kept getting little clues that moved things forward.  I was always on the edge of my seat waiting to find out what was going to be revealed next.  And then . . .

And then the story takes a sharp right turn.  Or actually, it runs right off the road.  Not necessarily into a ditch, with a crashing halt, but more like it careens through a field of brush and gradually slows to a stop.

Not what I was expecting.  Here we had an incredible story that was incredibly written, and the author suddenly switches it so that the story is now about a different character.  A different character that we don't care about, not at the beginning and not at the end after he somehow becomes a dynamic character (for those who are writing a paper for English class).  Which, I must say, was very poorly developed and not believable in the least, even though it would be nice if it could actually happen that way.  And even though the two characters do come together for some sort of resolution at the end, the super-duper wonderful (the chorus is singing) transformation of said character number 2 completely overshadows the resolution involving the story's namesake.

But back to the point.  The story is supposed to be about Tennyson.  And Aigredoux.  And the mysterious past.  And what is going to happen to them both!  It is supposed to be an amazing Gothic (and Southern Gothic, all rolled into one) novel.  But it all pretty much ends in a thoroughly disappointing turn of events (and a decision that is totally uncharacteristic for the main character as she has been presented to us).  What is even more disappointing, is that this turn of events pretty much puts an end to the mystery (so, no resolution), and to the brilliantly descriptive and emotion-inducing writing, and to pretty much everything that was making it a phenomenal story in the first place.  I wanted to pull my hair out.

Maybe the problem is that the story felt like it was going one place (like to a place where the mystery of the house is explored) and ends up going somewhere else (like to the issue of whether the mom is going to come home or not).  It's like Blume had one thing in mind, but went about getting there in the entirely wrong way, leading the reader to a place they were never going to arrive at.

Which is mind boggling.  The editor should have sent the copy back and said, this is not the ending we want - rewrite it!  This would have been a brilliant gothic novel if it had just held its course.  It could have been one of the best books I've ever read.  Shoulda, woulda, coulda, but it didn't.  Way to break a promise.

Perhaps unbelievably, I just purchased a copy of this book (okay, so it was only $3.49 for the hardcover at bookoutlet.com, but still.)  I know, you're probably saying Whaaaat?!!?!?  Why on earth would she do that if it was so horrible?  It wasn't horrible.  Just horribly disappointing.  But the writing, with the use of figurative language and motifs was so incredible, I just had to have it.  Because you don't come by that kind of good stuff very often, and you shouldn't let it slip through your fingers when you do.  Even if it is making promises it never intends to keep.

Rating:  4- Stars
Reading Level: 5.1
Age Appropriate: Middle Grades +
Page Count/Word Count:  228/ 45,307
Genre:  Mystery, Historical Fiction
Keywords:  family relationships, mystery, ante-bellum South, Great Depression

To Buy or Not To Buy, That Is the Question

So, if you've read my earlier posts, you've heard me mention that I usually only buy a book after I've read it and decided that I really liked it.  This saves me money and bookshelf space, while allowing me to easily reread and share my favorite books.  A while ago, I came across a book that has left me completely conflicted.  I can't decide if I loved it enough to buy it or not.



Music flows in Sing Da Navelli's blood. When she enrolls at a prestigious conservatory, her first opera audition is for the role of her dreams. But this leading role is the last Sing's mother ever sang, before her controversial career, and her life, were cut tragically short.
As Sing struggles to escape her mother's shadow and prove her own worth, she is drawn to the conservatory's icy forest, a place steeped in history, magic, and danger. She soon realizes there is more to her new school than the artistry and politics of classical music.
With the help of a dark-eyed apprentice who has secrets of his own, Sing must unravel the story of the conservatory's dark forest and the strange creature who lives there -- and find her own voice. - Author's website

The problem isn't that this wasn't a great story - it was.  The author did everything right.  She hooked me in right at the beginning, and kept giving me little hints along the way as I tried to figure out what exactly was going on.  You see, it isn't the WHAT of the story that I'm having a problem with.  The WHAT of this story is just plain awesome.  It's the HOW behind the what that is giving me issues.  This is because the HOW, in my opinion, is just plain ridiculous.  And it messes with the whole feel of the story.

The story FEELS gothic, even though it obviously isn't.  I mean, there is no house, so it can't really BE gothic, but there are crows, and hey, for some reason crows just scream gothic to me (unless, of course, they are screaming ancient Celtic foreshadowing of death and the like, but anyway...). I don't think you can get much more gothic than crows, unless you have, well, a house.

But then the author has to come up with a reason for how the thing that has happened managed to happen in the first place.  And that part of the story is really pretty Science-fiction-ish.  Which is totally lame.  I don't know what category this story would actually fit into, but it's definitely NOT science fiction.  (MAYBE I can't figure this out because the author is trying to mix different genres, whereas if she had just come up with a different back story, it would have fit very nicely into a particular category!) I sooooooo wish she had come up with something better.  Don't get me wrong, the concept she decides to use is definitely original, but it just doesn't fit with the rest of the story!  And that's why I'm conflicted.

We have this totally unique story (maybe there is another story out there somewhere that follows the same premise, but I've read like 650 novels now and I haven't come across anything like this one).   It is beautiful, and melancholy, and mysterious, and I LOVED it.  But the weirdness behind it makes me go Say What Now?!  and not in a good way.  It's like, if I choose to ignore the premise behind the events, I can enjoy the characters and the mystery and the emotions and all the good stuff.  Because there is just something about the good stuff that grabs me and drags me in and makes me say OMG.  But then I still have that nagging knowing that there is a stupid _ _ _ _ _  _ _ _ (didn't want be a spoiler), and I wonder if I really want this book sitting on my shelf reminding me of how such an achingly beautiful and brilliant concept got, as my son would say, totally shrek't.

So this book remains on my list of books to buy, but there it sits, unbought, because I just can't decide what I think about it.

Rating:  4 ??? or only maybe 3 ????
Reading Level: N/A
Age Appropriate: Upper Grades
Genre:  ????
Keywords:  Gothic, supernatural, mystery, music conservatories, romance